![[K-Art Now] The Sense of Space: Why It Matters in My Practice](https://static.wixstatic.com/media/3a0d52_676eed2250b74c8d97aa50724bb784cb~mv2.jpg/v1/fill/w_332,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/3a0d52_676eed2250b74c8d97aa50724bb784cb~mv2.webp)
![[K-Art Now] The Sense of Space: Why It Matters in My Practice](https://static.wixstatic.com/media/3a0d52_676eed2250b74c8d97aa50724bb784cb~mv2.jpg/v1/fill/w_375,h_282,fp_0.50_0.50,q_90,enc_avif,quality_auto/3a0d52_676eed2250b74c8d97aa50724bb784cb~mv2.webp)
[K-Art Now] The Sense of Space: Why It Matters in My Practice
Welcome to the 4482 [SASAPARI] Art Talk series! We are pleased to present the second artist talk of 2026, held in conjunction with the opening exhibition of Gachi (가치/같이): Surroundings and Companions. Join us for The Sense of Space: Why It Matters in My Practice, an artist talk with Hongil Yoon, a London and Seoul-based artist. Hongil Yoon is a London and Seoul-based artist who graduated Royal College of Art MFA (2025) and Glasgow School of Art First Class Honours recipient,
1 day ago
![[Interview] From K-Food to Cultural Patronage: A Conversation with Jae Cho of Maguro Group](https://static.wixstatic.com/media/3a0d52_17e8dba715874dd88acd0d618719d022~mv2.jpg/v1/fill/w_332,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/3a0d52_17e8dba715874dd88acd0d618719d022~mv2.webp)
![[Interview] From K-Food to Cultural Patronage: A Conversation with Jae Cho of Maguro Group](https://static.wixstatic.com/media/3a0d52_17e8dba715874dd88acd0d618719d022~mv2.jpg/v1/fill/w_375,h_282,fp_0.50_0.50,q_90,enc_avif,quality_auto/3a0d52_17e8dba715874dd88acd0d618719d022~mv2.webp)
[Interview] From K-Food to Cultural Patronage: A Conversation with Jae Cho of Maguro Group
We met with Jae Cho, CEO of Maguro Group, this past March. Maguro Group currently operates seven brands and 22 locations across the UK, including Bunsik, Moida, Bullgogi and Pochawa Grill. Cho’s relationship with 4482 began with an exhibition in 2018, and he has continued to support the organisation ever since. Within the art scene, the roles of artists, curators and galleries are undoubtedly important. Yet without the support of institutions and businesses, many projects sim
May 26
![[Inside 4482: Meet the Team] Hyeryoung Jun, Curator](https://static.wixstatic.com/media/3a0d52_005e596de88a484d8b2bcc3eb1ab3b35~mv2.jpg/v1/fill/w_332,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/3a0d52_005e596de88a484d8b2bcc3eb1ab3b35~mv2.webp)
![[Inside 4482: Meet the Team] Hyeryoung Jun, Curator](https://static.wixstatic.com/media/3a0d52_005e596de88a484d8b2bcc3eb1ab3b35~mv2.jpg/v1/fill/w_375,h_282,fp_0.50_0.50,q_90,enc_avif,quality_auto/3a0d52_005e596de88a484d8b2bcc3eb1ab3b35~mv2.webp)
[Inside 4482: Meet the Team] Hyeryoung Jun, Curator
Inside 4482: Meet the Team is an ongoing project where we take you behind the scenes of 4482 through short interviews with the people who make it all happen. Throughout the year, we’ll sit down with different team members to hear how they joined 4482, what they’re working on, and the moments that shaped their journey here. It’s a way to share the stories, personalities, and collaborations behind the work—and to show how our team grows, learns, and builds together over time.
Apr 28
![[Interview] Negotiating Uncertainty: The Material Language of Viviana Hayeong Jeon](https://static.wixstatic.com/media/3a0d52_c2ee0d25033749db8c5a7003698757cb~mv2.jpg/v1/fill/w_332,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/3a0d52_c2ee0d25033749db8c5a7003698757cb~mv2.webp)
![[Interview] Negotiating Uncertainty: The Material Language of Viviana Hayeong Jeon](https://static.wixstatic.com/media/3a0d52_c2ee0d25033749db8c5a7003698757cb~mv2.jpg/v1/fill/w_375,h_282,fp_0.50_0.50,q_90,enc_avif,quality_auto/3a0d52_c2ee0d25033749db8c5a7003698757cb~mv2.webp)
[Interview] Negotiating Uncertainty: The Material Language of Viviana Hayeong Jeon
As the lingering London winter finally gave way to the first stirrings of spring, I sat down with Viviana Hayeong Jeon. Her abstract ceramic works have been quietly gaining a following across London’s art scene, marked by a rare sensitivity to both material and emotion. We met shortly after her group exhibition at Seager Gallery—a moment of reflective pause for an artist whose work explores the profound tension between the tangible and the fleeting. Digital Sculpture Frottage
Apr 27
![[Workshop] Upcycling Coffee Waste Workshop](https://static.wixstatic.com/media/3a0d52_0838fab998da4328a8a9c7d596bfd6b7~mv2.jpg/v1/fill/w_332,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/3a0d52_0838fab998da4328a8a9c7d596bfd6b7~mv2.webp)
![[Workshop] Upcycling Coffee Waste Workshop](https://static.wixstatic.com/media/3a0d52_0838fab998da4328a8a9c7d596bfd6b7~mv2.jpg/v1/fill/w_375,h_282,fp_0.50_0.50,q_90,enc_avif,quality_auto/3a0d52_0838fab998da4328a8a9c7d596bfd6b7~mv2.webp)
[Workshop] Upcycling Coffee Waste Workshop
Welcome to the 4482 [SASAPARI] Art Workshop! We are pleased to present the first art workshop of 2026, held in conjunction with the opening exhibition of Gachi (가치/같이): Surroundings and Companions. Join us for a unique, hands-on workshop transforming everyday coffee waste into beautiful ceramic objects. Led by UK-based ceramic artist Chaeeun Kim, this session invites you to explore sustainability through making. Using repurposed coffee grounds collected from cafés, you will c
Apr 23
