![[Interview] From K-Food to Cultural Patronage: A Conversation with Jae Cho of Maguro Group](https://static.wixstatic.com/media/3a0d52_17e8dba715874dd88acd0d618719d022~mv2.jpg/v1/fill/w_333,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/3a0d52_17e8dba715874dd88acd0d618719d022~mv2.webp)
![[Interview] From K-Food to Cultural Patronage: A Conversation with Jae Cho of Maguro Group](https://static.wixstatic.com/media/3a0d52_17e8dba715874dd88acd0d618719d022~mv2.jpg/v1/fill/w_376,h_282,fp_0.50_0.50,q_90,enc_avif,quality_auto/3a0d52_17e8dba715874dd88acd0d618719d022~mv2.webp)
[Interview] From K-Food to Cultural Patronage: A Conversation with Jae Cho of Maguro Group
We met with Jae Cho, CEO of Maguro Group, this past March. Maguro Group currently operates seven brands and 22 locations across the UK, including Bunsik, Moida, Bullgogi and Pochawa Grill. Cho’s relationship with 4482 began with an exhibition in 2018, and he has continued to support the organisation ever since. Within the art scene, the roles of artists, curators and galleries are undoubtedly important. Yet without the support of institutions and businesses, many projects sim
4 days ago
![[Interview] Negotiating Uncertainty: The Material Language of Viviana Hayeong Jeon](https://static.wixstatic.com/media/3a0d52_c2ee0d25033749db8c5a7003698757cb~mv2.jpg/v1/fill/w_333,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/3a0d52_c2ee0d25033749db8c5a7003698757cb~mv2.webp)
![[Interview] Negotiating Uncertainty: The Material Language of Viviana Hayeong Jeon](https://static.wixstatic.com/media/3a0d52_c2ee0d25033749db8c5a7003698757cb~mv2.jpg/v1/fill/w_376,h_282,fp_0.50_0.50,q_90,enc_avif,quality_auto/3a0d52_c2ee0d25033749db8c5a7003698757cb~mv2.webp)
[Interview] Negotiating Uncertainty: The Material Language of Viviana Hayeong Jeon
As the lingering London winter finally gave way to the first stirrings of spring, I sat down with Viviana Hayeong Jeon. Her abstract ceramic works have been quietly gaining a following across London’s art scene, marked by a rare sensitivity to both material and emotion. We met shortly after her group exhibition at Seager Gallery—a moment of reflective pause for an artist whose work explores the profound tension between the tangible and the fleeting. Digital Sculpture Frottage
Apr 27
![[Interview] Breaking the Egg: How Destiny and "Daydreams" Shape the Abstract World of Na Young Lee](https://static.wixstatic.com/media/3a0d52_d5ba4c2a9d8447f59eab494ce18749c5~mv2.jpg/v1/fill/w_333,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/3a0d52_d5ba4c2a9d8447f59eab494ce18749c5~mv2.webp)
![[Interview] Breaking the Egg: How Destiny and "Daydreams" Shape the Abstract World of Na Young Lee](https://static.wixstatic.com/media/3a0d52_d5ba4c2a9d8447f59eab494ce18749c5~mv2.jpg/v1/fill/w_376,h_282,fp_0.50_0.50,q_90,enc_avif,quality_auto/3a0d52_d5ba4c2a9d8447f59eab494ce18749c5~mv2.webp)
[Interview] Breaking the Egg: How Destiny and "Daydreams" Shape the Abstract World of Na Young Lee
At the end of January, Na Young invited us to her new studio in London. During our interview, she led us on a fascinating journey through her evolution as an artist and the constant development of her visual language. In our fast-paced world, we often find ourselves questioning our true talents and passions. Our conversation with Na Young offered a profound reflection on how we navigate this uncertainty to find meaning and purpose. In a quiet corner of London, far from the hi
Feb 25
![[Open Call] Gachi: Surroundings and Companions](https://static.wixstatic.com/media/3a0d52_8fc36a1dbafa40eda4de61d442424634~mv2.jpg/v1/fill/w_333,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/3a0d52_8fc36a1dbafa40eda4de61d442424634~mv2.webp)
![[Open Call] Gachi: Surroundings and Companions](https://static.wixstatic.com/media/3a0d52_8fc36a1dbafa40eda4de61d442424634~mv2.jpg/v1/fill/w_376,h_282,fp_0.50_0.50,q_90,enc_avif,quality_auto/3a0d52_8fc36a1dbafa40eda4de61d442424634~mv2.webp)
[Open Call] Gachi: Surroundings and Companions
ARTisan COFFEE Gachi: Surroundings and Companions We live in a world of high-speed digital consumption, where our surroundings are often filtered through screens and fleeting moments. In this "fast-paced" reality, the physical textures of our environment are easily overlooked. For many of us—especially those who have moved across borders and cultures—finding "anchors" in a new land is an act of both memory and survival. 4482 invites artists to contribute to "Gachi(가치/같이): S
Jan 30
![[K-Art Now] Making as a Conversation](https://static.wixstatic.com/media/3a0d52_ede7aaec99ee433db40ecc0f2640b8fd~mv2.jpg/v1/fill/w_333,h_250,fp_0.50_0.50,q_30,blur_30,enc_avif,quality_auto/3a0d52_ede7aaec99ee433db40ecc0f2640b8fd~mv2.webp)
![[K-Art Now] Making as a Conversation](https://static.wixstatic.com/media/3a0d52_ede7aaec99ee433db40ecc0f2640b8fd~mv2.jpg/v1/fill/w_376,h_282,fp_0.50_0.50,q_90,enc_avif,quality_auto/3a0d52_ede7aaec99ee433db40ecc0f2640b8fd~mv2.webp)
[K-Art Now] Making as a Conversation
Welcome to the 4482[SASAPARI] Art Talk series!This year’s theme for 'K-Art Now' is Performance Art & Installation Art . Join us for an artist talk with Dohyun Baek , a London-based multidisciplinary artist whose installation-based practice delves into the complexities of human vulnerability, identity, and the surreal absurdities of modern life. Baek constructs psychologically charged environments that often blur the line between humour and unease. His installations incorporat
Sep 3, 2025
