Artist
Sunnu Rebecca Choi
Sunnu Rebecca Choi (최선우) is an award-winning Korean/Canadian illustrator and printmaker based in London. She specialises in illustrations for editorials and fiction & non-fiction books for children, young adults and adults.
She has won or been shortlisted for multiple awards, including the Bologna Children’s Book Fair, World Illustration Awards, and the V&A Illustration Awards and more. Her works were selected to be exhibited at various exhibitions, including the Royal Academy of Art Summer Exhibition and in 2026, she was elected an Associate Member (ARE) of the Royal Society of Painter-Printmakers.
The Kitchen Floor, 2025
Etching and aquatint
34 x 37.3 cm (framed)
£100 unframed / £155 framed
Edition of 40
This work is part of a series that captures fragments of daily life and the quiet moments in between. By illustrating these personal passages, the artist seeks to uncover unfiltered emotions and the true self. It offers a candid look into the human experience, inviting viewers to reflect on the often-overlooked details that define our everyday lives.
We Will Play Again, 2024
Etching, aquatint and watercolour
69 x 38.5 cm (framed)
£250 unframed / £325 framed
Edition of 25
This work is part of an etching series that narrates stories of love, loss, waiting, and the joy of reunion. The artist explores themes of grief and memory, focusing on the profound and enduring bond between humans and their pets. Through delicate lines, it serves as a visual reflection on connection and the emotional significance of those who have been part of our lives.
Farewell Neighbour, 2022
Etching and aquatint
36 x 44.3 cm (framed)
£195 unframed / £255 framed
Edition of 20
The Village, 2023
Etching, aquatint and chine-collé
56.2 x 44.4 cm (framed)
£320 unframed / £390 framed
Edition of 15
Rooted in the artist's personal experience as a 1.5-generation immigrant, this work explores the emotional landscape of relocation and the restless search for belonging. The artist captures fragments of home and the childhood village, portraying them not as mere geographic locations, but as emotional anchors—spaces preserved deeply within memory.
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